August 30-31, 2006


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  Increasing pan provision and its status in schools and communities
Diana Hancox, Head of World Music, Warwickshire County Music Service


I was invited to speak at this conference based on what I have done to increase pan provision and its status in Warwickshire schools and community and on my ideas and beliefs of the future of pan.  It is true that provision of steel band in the county has grown greatly and that it is now recognised as a key instrument in many of our schools with festivals and concerts that support that ethos,  but it is also true that many, including many at the service I work for, recognise it only as a bit of multicultural fun they can tick off on their access and inclusion list.  It is also true that while many parents and schools are proud to show off their steel bands at fetes and special evenings they do now want their children pulled out of “real lessons” to learn pan. 

While all of us at this conference know the magic of pan and recognise the skills involved playing pan, this is not the case in the music world, the world of education or the general public.  Pan has the value of being one of the most accessible instruments (if not THE most accessible) to all learners at whatever level and yet our top pannists have as much if not more skills and ability as our grade 8 string players and top concert pianists.

Raising the status of pan and pan playing is vital for its future and its growth.  To some extent I believe that means conforming to a national or world recognised type of grading system that puts it on the map with all the other wonderful instruments of the world while fighting hard to ensure its cultural uniqueness is protected.  Creating such a recognised system of learning and attainment means a large number of us, teachers, players, makers, arrangers etc working together to ensure any such system produced is respected and accepted by all within the pan community and by all in the music and education world. The pan world for too long has worked in its isolated pockets and needs now to work together to ensure that not only we, but the rest of the world understands the qualities and magic of learning and playing pan.
 
 
 

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