August 30-31, 2006


Home Programme Abstracts Registration Location Contact
   
  The Steelband Perspective in Japan and the Far East
Yoko Kimura, Nagoya University Graduate School of Letters, Japan

The steelbands in Japan have developed differently from those in Britain and the Caribbean Countries. I will show a history of the steelbands in Japan and focus on the people who contributed to the promotion of steelband activities and discuss Japanese steelbands through my field work.  Steelpan was first introduced to Japan in 1961 by a Japanese entertainer who was living in U.S. In 1970s steelbands from Trinidad came to Osaka Expo and Marine Expo in Okinawa. Some of the Japanese artists started to include steelpan music in their repertoire. The history of the development of steelbands in Japan is divided into two periods: pre and post 1990s.

In 1990s Renegades, Panberi and Caribbean Magic from Trinidad came to Japan and Japanese people who were influenced by this music went over to Trinidad. On their return, they began establishing steelbands and teaching individuals how to play steelpans. Akihiro Ishiguro went to Trinidad several times and founded ‘Tokai Trio’ and then a steelband called ‘Pansonide’ in Nagoya in 1999. Ryo Sonobe went to Trinidad and had some training to become a steelpan player. He is the only Japanese who can tune steelpans and makes them at his studio. He teaches how to make and play a steelpan to all the students at a private high school near Yokohama. Sonobe was invited to tune and make steelpans in Taiwan and Hong Kong.

In 1993, the Sea Gaia, an ocean resort, opened in Miyazaki and a Trinidadian pan player, Michael Robinson, was invited to play there. He started his pan lessons and founded a steelband there in 1995. He has had considerable influence on the development of steelbands in Japan. The image of a steelpan is something like ‘paradise’,‘Caribbean’ and ‘blue sea’. TV or mass media have created good images on steelpans in Japan. In 1995 the first steel orchestra ‘Sukiyaki Orchestra’ was established in a remote town in Toyama. It joined in the Trinidad Carnival in 1997 and this event was broadcasted on NHK TV.

In 2000, 150 steelpan players from all over Japan gathered and steelband festival started in Yokohama in 2002. This event was promoted by Kiyoshi Kawashima, a product manager of Nonaka Trading Company which imports steelpans from Trinidad.

It has its own steelpan orchestra and provides pan yards and instruments for the orchestra. The members of the orchestra are advanced students of Pan Village Steelpan School, where Yuki Murakami is the director. He also directs ‘Fantastics’ in Kobe, which was founded in 2001 to rejuvenate a town in Kobe after the Hanshin and Awaji Earthquake. The leader, Kenji Akashi, with the help of a local authority, performed at a steelband concert with an audience of 100. 

In conclusion I will explore during my presentation how Japanese steelbands were established and analyze the people who are involved in steelbands and their motivation for joining the bands according to the results of my questionnaire.
 
 
 

CATRIVER Design 2006